
Pop Culture
November 2, 2011
Common Ground Between Occupy and Tea Party
Posted by Ryan McGivern under Ideas, Justice, Love, Politics, Pop Culture1 Comment
September 22, 2011
Why is it impossible to contact Santorum?
Posted by Ryan McGivern under Politics, Pop Culture, SexLeave a Comment
Frothy ol’ Santorum is virtually impossible to reach.
Why?
Go to his campaign website. Is there a place to email or call?
No.
There is good reason this person’s name is mud.
In the recent GOP debate where a soldier asking about freedom was booed, Santorum responded but did not thank the
soldier for his service to the nation, nor did Frothy quell the crowd and say that all members of the Armed Services deserve
respect.
Is there a way to tell Frothy how you feel as an American? No.
Why is he hiding? What dirty secrets does he have to hide?
August 23, 2011
The Carcetti Test For Political Leadership: From HBO’s The Wire
Posted by Ryan McGivern under Love, Politics, Pop CultureLeave a Comment
In the HBO series The Wire, fictional Baltimore mayor Tommy Carcetti says this:
“…I am, God forgive me, a politician. But I am also someone who ran for public office because I believe that there is a different way of governing and I believe that in the end we will be judged not by the efforts we make on behalf of those who vote for us or those who contribute to our campaigns or those who provide for our tax base. I believe that we will be judged by what we provide to the weakest and most vulnerable. That is the test. That is my test.”
This scene can be found in season five episode “The Dickensian Aspect” teleplay by Ed Burns, story by David Simon and Ed Burns.
Wouldn’t it be great if all our leaders genuinely passed this “Carcetti Test?”
May 19, 2011
Hey Teens! How To Be Like Bob Marley.
Posted by Ryan McGivern under History, How to, Justice, Love, Parenting, Politics, Pop Culture, Racism[2] Comments
Bob Marley: Using Art Towards Peace and Justice
Though Bob Marley passed away many years ago, his legacy and music continue to inspire young people all over the world. Why is this so? How can one person who was born into a poor small town have such influence?
Not only was Bob Marley a talented musician, but it was Marley’s quest and work toward for non-violence and social justice that made him a true superstar and inspiration.
Marley was single minded in his dedication to the people of Jamaica and Africa, but he also saw that there were changes that needed to take place throughout the world for true peace and justice. In his song “Revolution” he writes,
“Let righteousness cover the earth
like the water cover the sea…”
It is true that wherever there are people who are hurting or who are under pressure and oppression, they find a strong voice in Bob Marley to lift their hearts and inspire them to change their communities with positivity and art.
If you ask most people, they will tell you that Reggae music is the most well-known, or quintessential music of Jamaica. But this was not always the case!
In fact, Reggae did not enter into the Jamaican culture until the late 1960s. Just as great social change was occurring in the United States at that time as brave people struggled for the rights of women, African Americans, Labor Workers, so too was Jamaica experiencing a cry for change.
In Jamaica’s early history, the Spanish began to populate the country and brought with them African slaves. Later on, the British Empire established a colony in Jamaica and also brought slaves from Africa.
Jamaica saw many slave uprisings during the British colonial rule as courageous freedom fighters stood up against inhumanity and tyranny. Through these uprisings, small concentrations of free black people were eventually created throughout the island.
In 1832, thirty one years before the United States Government ended slavery, the British Empire abolished slavery—including on the island of Jamaica. Despite years of harsh and cruel treatment by the European White rulers, the freed slaves were strong in their pride and identity and they kept many of the traditions of African heritage, which was retained in their language, art, and music.
In the 1960’s Reggae music became a powerful expression of the African traditions celebrated by the people of African descent throughout Jamaica. Reggae was felt to be a rejection of European influence and a sign of proud heritage as they sang and played the sounds of traditional African music. The lyrics of many Reggae songs often are also highly politicized, which stems from the fact that reggae was developing just as Jamaica was entering a time known as the Cultural Revolution.
Although Bob Marley did not invent the sound of Reggae music as we know it today, Marley helped popularize Reggae music throughout Jamaica and the U.S. during the 1960s and 1970s. Marley’s music touched the longings of people striving for justice and human dignity. His songs dealt with strong themes such as peace and love and also his feelings about black oppression and poverty in Jamaica. Marley saw the power that art has to change people’s opinions and to bring hope to those who have been marginalized by society.
One of the main purposes of reggae music was to empower the Jamaican people and to help instill in them a sense of pride for their African heritage. During the Cultural Revolution of the 1960s, Jamaicans began to see themselves as culture unto themselves for the first time and they wanted to embrace those things that made them uniquely Jamaican. Reggae music was a large part of their effort to take back their culture. Marley’s music inspired and empowered the Jamaican people and showed them the way to lasting social justice was through non-violence and mutual love and respect between individuals and cultures. Although much of his songs were focused on the peace and love themes, he also politicized many of his songs. His songs that had a political bend or focus relayed his disdain for the Black oppression and poverty that was happening amongst his people in Jamaica at that time.
In 1976 violent clashes between two major political parties inspired Marley to play the Smile Jamaica festival with hopes of inspiring non-violent solutions among his people. A group of angry rioters were upset at Marley’s approach and decided to assassinate Bob Marley. Just days before the concert was scheduled, gunmen entered his family’s home, shooting Marley; his wife, Rita; and his manager, Don Taylor, in the middle of the night. Thankfully, they all survived, and despite his injuries, Marley did not let opposition stop him from his goal of bringing peace through art. Remarkably, Bob Marley performed at the festival just two days later, saying, “The people who are trying to make this world worse aren’t taking a day off. How can I?”
Bob Marley never let the troubles of the world dissuade him from his goals. He had a vision for his future and a great hope for the world. Marley knew that when courageous people organize together in non-violence and compassion, those people could achieve anything. While some might see the negativity of the world and become overwhelmed by it all, Bob Marley stayed positive and allowed the love of people and music keep his heart uplifted. In the song “Positive Vibration” he sings,
“Say you can leave that negative way
If you know what I mean
Make way for the positive day…”
Is Bob Marley’s legacy alive today? Yes. His memory lives on wherever people join together with a love for peace and justice. Many people continue to lift up the spirit of peace and justice through art just as Marley did through his music. Who knows? Maybe someday it will be your art that people will celebrate for its positivity!
April 17, 2011
Film Analysis: Lars von Trier’s “Antichrist”
Posted by Ryan McGivern under Christianity, DVD review, Love, Movie Review, movies, Pop Culture, Religion[5] Comments
After thinking about this wonderfully beautiful film for almost two months, I finally (perhaps foolishly) feel ready to mutter a few of my frayed synapses’ most muddled concatenations.
I understand that Trier constructed Antichrist in such a way as to be available to a number of interpretations. He does this through utilizing symbols that nod to a number of possible sources.
So while saying that, I do feel that looking at Trier’s pattern of motifs and statements from his body of work one can make better sense of what he’s doing here.
Most informative to Antichrist are the films where Trier re-imagines Christianity: Breaking the Waves, Dancer in The Dark, Dogville, Manderlay. These films are inventive and challenging presentations which riff on themes of The Leap of Faith, and Saint as Martyr usually with the background of human injustice and cruelty.
Antichrist fits right in with these previous films because it immediately requires the viewer to question themselves:
“What is ‘Christ’?”
“What is it to be ‘Anti-Christ’?”
I was very tempted upon finishing Antichrist to pit it as a ‘counter’ or antithesis of the Christ/Saint/Martyr themes of the other films, as though maybe Antichrist was ‘about humanity’ or ‘a view of the world without God.’
I see that this was wrong.
Why?
Because Trier has always asked of us to see each of us as living Christ events. The potential for each of us to perform ‘impossible leaps of faith’ and the non-rational means and often tragic conclusions of these ‘leaps.’
He asks of us to see Christ’s humanity, and humanity’s potential to enact the divine in the midst of our largely banal, cruel, and chaotic world.
So what or who is the Antichrist implied here?
I believe that it is the ‘Chaos that reigns.’
It is meaninglessness, the force that surrounds us at all times that tempts us to see our lives as without order, meaning, without value.
The position that I believe Antichrist takes is that this force of meaningless chaos is real. It is the real state of things. It is however conquerable through our each making a ‘leap of faith’ as it were.
This triumph of the human spirit is not a synthesis or balance of Reason and Intuition, or Order and Chaos–it is the abnegation of these as opposing poles and transcending them in Pure Resolution or Survival.
Antichrist is the description of the triumph that occurs in one’s affirmation of life through their decision or choice. When one accepts the meaningless chaos and still rises with a ‘yes saying’ to life they pass through death and are recreated and mark a ‘Christ event.’
Here’s how I came to this view:
The film begins with a creative act: the act of making love. In the midst of creation, there is loss–in this case the loss of a young life. Decision is definitive. It says yes and it says no. Future is created and possible futures are cast off. We cannot know all the outcomes or consequences of our choices and we must accept that in our life-creation there will be potentially hurtful and destructive effects. This can be one definition for the ‘state of sin’ in the world.
From this moment of ‘decision’ our characters embark on paths that illustrate ways of trying to contain or control chaos. The husband and wife portray different ways that one may ‘wrap their head’ around this existential burden and we see that rationality and madness, science and magic, are just different paths of coping with or trying to control life.
Ultimately the husband finds that these concepts are not enough–one cannot shirk off or end the power of Antichrist. One only can continue, persevere in the face of it.
Integral to this idea in the film is the appearance of bodies in the forest. At first there are only languishing or lifeless bodies covering the forest floor as the couple make love: the quest is almost fulfilled, concepts of madness and reason are being dissolved–
then in the Epilogue we see the weary and battered husband as triumphant and he is joined by fully formed and living people.
These people are the new future, continued possibility, Life flooding towards the Hero of Faith.
February 28, 2011
This past week an event largely expected to have a semblance of class and shared enjoyment was turned into a one-woman ego explosion as Anne Hathaway chewed the scenery at a twelve year old’s birthday party.
Justin Uris’ parents had asked Hathaway to emcee his birthday with the best intentions but watched in horror as Hathaway stole the party from under the pimply visage of their son.
Said Justin, “She came out to the patio with her hands on her cheeks in this ‘Home Alone’ pose or something and right away I knew my party would never be as cool as Sheldon’s party when he got a Wii.”
Reports from Justin’s tween-aged peers suggest that Hathaway came across as either “a phony ass”, “a punk”, or “an ass kissing phony ass punk.”
Video of the party from several iPhones show Hathaway breaking into a bizarre ballad to Hugh Jackman, who is also seen to be weakly smiling through his horror.
“I wanted a birthday party,” Said a teary eyed Justin “but instead I got Anne Hathaway’s imitation of a vacuous grinning idiot zombie’s debutante ball. I hate Anne Hathaway.”
“So do I.” Chimed in a barely conscious James Franco.
February 23, 2011
Is Cinema A Zombie or Vampire?
Posted by Ryan McGivern under Ideas, movies, Pop Culture, ThoughtsLeave a Comment
As I was watching the ‘Twilight’ trilogy recently in a back-to-back marathon, I was struck by something
Ella said about vampires never aging…always appearing the same…
And it came to me that the actress Kristen Stewart could be describing herself on film.
Stewart’s Bella Swan is immortal. She will not age or change.
So I was wondering what ageless or death defying monster might best summarize the medium of cinema.
Is it ‘zombie’…? No, I think video games are zombie. Eating our brains, turning us onto their agenda of complete focus….
Or is cinema in fact vampire?…Alluring, sexy, enticing, beautiful. Staying in the ‘dark places’ of theatres?
Well, this post’s title may be a red herring because I think cinema is Frankenstein.
Cut and pasted, derived from past ideas and ‘bodies’ of work, cinema comes alive and can become the target of the mob’s projected fears.
More on the ‘cut and paste’ hodgepodge film medium at this great site:
www.EverythingIsARemix.info
February 23, 2011
Visions of Potential Technologies/Futures
Posted by Ryan McGivern under Future, Ideas, Pop Culture, TechnologyLeave a Comment
Here’s a lovely duo of videos depicting some visions of possible future technologies:
What I love in the above video from Corning that I missed the first time viewing it was the photovoltaic glass.
This alone can be a ‘game changer’ for cities’ energy consumption. Gathering the natural energy of the sun is of course a no-brainer but developmental technologies will need to show sustained gathering power over time without degradation, cost effeciency, and environmentally sound means of production. The photovoltaic feature is only further benefitted by the capacity of the glass to transition to various degrees of shading. This ‘shading’ feature could conceivably be computer controlled throughout large buildings to control temperature maintenence costs. Love it.
We have to wonder: will photovoltaic glass be able to be installed on electric cars?
I also like the depiction of up-to-the-minute commute information on the highway signs and the interactive onboard computer in the woman’s car. So, the fact that the woman is 1) travelling alone in a car rather than ride sharing, 2) driving a car that appears to be private-owned rather than car-shared, is not so energy friendly but maybe we can at least assume the car is fully non-fossil fueled.
I feel that transportation will become more and more a key talking point in issues of effeciency, energy, and quality of living.
Think of how painful it is to wait for a slow computer to load a website or play a video. The anxiety and frustration that it causes for a 20 second wait is understandable in the transportation of information, but we can somehow accept hours upon hours each week of transporting ourselves? As driving attention is taken over by autonomous smart cars and public transit becomes more popular, these issues of wasted time and energy will (thankfully) fade away.
I love the instant language translation and the use of telepresence in the classroom setting here.
I can imagine all kinds of uses with that type of technology especially as voice recognition technology advances.
I feel that there are a couple of applications not shown here that may be expected: more augmented reality, more use of robotics, the capacity for our tools to anticipate and predict our wants, and data rich clothing.
In the Microsoft video, we see ‘floating tags’ in the airport. I believe that these type of tags will become popularized with many people using augmented reality to see Twitter feeds appearing above people. Of course, these tags may announce their name, mood, ‘status’, as well as any social gaming with which they may be participating.
As an addendum of trends to watch for:
Nanoassemblers, the next generation of the already revolutionary 3D printers. High density, extremely effecient urban hubs. Rented microhousing and a ‘rent/share/gift economy.’
February 21, 2011
If You Liked “Inception”: Movies of The Mind
Posted by Ryan McGivern under movies, Pop Culture1 Comment
Some of these movies may be a stretch, but I feel that if you like movies that probe the ‘interior life’ you may
get a kick out of viewing (or revisiting) these flicks.
1. Jacob’s Ladder
2. Eternal Sunshine of The Spotless Mind
3. Dark City
4. Identity
5. Citizen Kane
6. Deconstructing Harry
7. The Wizard of Oz
8. Wild Strawberries
9. A Beautiful Mind
10. The Cell
11. Syndechoche New York
12. What Dreams May Come
13. A Nightmare of Elm Street
14. Fight Club
15. The Audition
16. Spellbound
17. Gothika
Also, a helpful article by Annalee Newitz:
http://io9.com/#!5765657/rise-of-the-neurothriller
January 1, 2011
Ryan McGivern’s 2010 Top Eight Movie Pics
Posted by Ryan McGivern under movies, Pop CultureLeave a Comment
These here are some of my favorite lovely flicks from 2010:
(in no particular order)
1. True Grit
2. Inception
3. Restrepo
4. A Prophet
5. Scott Pilgrim vs. The World
6. How To Train Your Dragon
7. The Fighter
8. Blue Valentine
9. 127 Hours
Note: Black Swan and Social Network are not on my ‘best movies of 2011′ list. Why not?
I’d love to tell you…
Of course, I haven’t seen a lot of films released in 2010 so I may expand this list later.

