Pop Culture


These here are some of my favorite lovely flicks from 2010:
(in no particular order)

1. True Grit
2. Inception
3. Restrepo
4. A Prophet
5. Scott Pilgrim vs. The World
6. How To Train Your Dragon
7. The Fighter
8. Blue Valentine
9. 127 Hours

Note: Black Swan and Social Network are not on my ‘best movies of 2011′ list. Why not?
I’d love to tell you…

Of course, I haven’t seen a lot of films released in 2010 so I may expand this list later.

The Coen brothers make movie making look so effortless.
Their last films, No Country, A Serious Man and now True Grit are so strong that one wonders what other American classics might come out of their creative powers.

The film works because of its strong characters. Everyone has been directed in a way to create full, dynamic, and conflicted characters. In a year of some fine acting from young actresses (Jennifer Lawrence in Winter’s Bone, Carey Mulligan in An Education) I believe that Hailee Steinfeld as Mattie Ross will likely garner an Oscar nom and could take it home. But everyone in this film is well cast and work so well in an ensemble. Jeff Daniels creates another amazingly memorable character yet again. There are few people who could create such a morally ambiguous character that is lovable, comedic, deadly, sinister, and damnable.

The film works because the story feels organic. The twists and turns feel natural and emanate from the characters and not tacked on to serve as plot devices. The little vignettes in the beginning of Mattie horse-trading and sleeping in an undertaker’s as well as the trial where we first meet Rooster all are lovely character building scenes that don’t feel like we are just ‘wasting time’ before the ‘real adventure’ starts. This is a key element of movie making: that we are given reasons to believe in and care about the characters without the movie feeling slogged down.

I laughed and cried and did both at the same time. The movie house I saw True Grit in was well packed and everyone was on the edge of their seats. It seems to me that everyone was thoroughly pleased and riveted.

One story telling device that I wondered about at first but now appreciate was the use of Mattie’s narration in the beginning. I liked it because it allowed us as an audience to know that she (if no one else) would survive. We were let off the hook of worrying about her survival to then be better freed up to enjoy “how” she got through her adventure–not “if”.

I love the moral ambiguity of much of the film.
There are plenty of examples of it in True Grit but there is an interesting sense of justice that occurs. In the first narration Mattie says in essence “justice will find you. You can’t get away with anything in this life.” and she experiences that herself: her vengeance costs her an arm and perhaps plays a part in her life of isolation and loss (never seeing Rooster again either).

Mattie herself is brought into the ambiguity in her desire for revenge and is heightened when we find that Tom Chaney is indeed ‘simple’.

What also works is that True Grit inhabits an American West that is closer to reality than many ‘Westerns’ of late that are really action films set in a fantasy West (think 3:10 to Yuma). In this way, I feel True Grit is not just a great film but reveals that the genre is definitely not dead.
(I place it among recent ‘Westerns’ The Proposition and Appaloosa and less recently Unforgiven)

Oh, and the action sequences are tense, well shot, and don’t pull you out of the experience. Note well, future directors! You don’t need shaky cam! Strong characters, situations that matter, and smart use of sound will carry you through. See also ‘No Country for Old Men’.

 

http://www.rottentomatoes.com/m/true-grit-2010/

For those who feel something is amiss with American culture or the world ‘nowadays’ there is and will remain an easy target to blame–technology.
And why not? There’s always ‘a new kid on the block’. Maybe its comic books, Nickelodeans, radio…something’s rotten in the state of Denmark and hey! what’s different around here? That new fangled beeping thing!

(My grandmother would have been mortified to know that my dad snuck his family’s radio under the covers to listen to Sky King.)

Of course technology is more than just gadgets, but there is a perennial fear that knowledge (think apple and naked people) or new technique (we’ve always prepared Thanksgiving this way. No Tofurky!) will upset the gods or cultural norms (idols in their own right).

So the late Neil Postman (1931-2003) entered the fray with Technopoly to diagnose “what’s wrong with America”.
Its too bad that he offers no sense of cure or treatment…but that’s alright in the end since the diagnosis was wrong to begin with.

After all is said and done, Technopoly represents a bogeyman created by Postman himself, and while presumably technology has evolved into a monster, his portrayal still comes out as underwhelming and certainly not convincing.

I wish I could say that Postman’s thesis was ill argued but his thesis wasn’t argued at all. It is a screed, a rant written for uncritical minds who may have enjoyed his previous work so much that they were willing to take any bait.

So what is a ”technopoly”? 
Postman achieved something that every author wishes for: an awesome title that becomes catchy jargon in college sociology and media clases. Beyond that, what a technopoly is and how America is that…well is not much to write home about let alone a book. He creates a triad (what social theory would be complete without one?) of cultures in the world: tool-using, technocracy, and technopoly. 
A tool using culture is comprised of cultures whose tools “were largely invented to do two things: to solve specific and urgent problems of physical life, such as in the use of waterpower, windmills, and the heavy-wheeled plow or to serve the symbolic world of art, politics, myth, ritual, and religion…With some exceptions, tools did not prevent people from believing in their traditions, in their God, in their politics, in their methods of education, or in the legitimacy of their social organization (23).”
I’ll get back to that in a minute.
A technocracy is: “a society only loosely controlled by social custom and religious tradition and driven by the impulse to invent (41).”
And lastly, a technopoly (America) is a rampant hyper aggressive form of technocracy. It is a culture defined by “the submission of all forms of cultural life to the sovereignty of technique and technology (52).”

Okay. Firstly, in tool using cultures Postman writes that the tools are just to solve urgent needs or else ‘serve’ their politics and art. As though the rest of a culture is in a vacuum aside from their artifacts, know-how, and formed by the very needs that their tools are employed to solve. Right off the bat, Postman reveals a vital flaw in his thinking. That a culture is somehow able to compartmentalize its technology to leave its religion, art, governance free and unhindered. This ‘unblemished’ culture apart from the dirty machinations of technology is opaquely referred to as ‘tradition’ and for the most part really means ‘orthodox oldtime religion’.

The religious traditions of a tool using culture as protective–saving the people from the oppression of technology. Their theology and worldview “provides order and meaning to existence, making it almost impossible for technics to subordinate people to its own needs (26).”
Yes, they’re free to worry about cholera instead.

So what were Postman’s other failings, aside from a thin and vacuous premise? Let me point out some broad problems before focusing on more specific instances of bombastic rhetoric. (All page numbers cited are from the edition in the endnote.)

Postman takes for granted that his audience will accept that America stands as the sole expression of a ‘technopoly’ in the world yet  never compares or contrasts America with any other nation. How much does Postman write on Germany? India? China? Japan? Not at all. That’s right. Perhaps Postman was thinking that his audience does not travel, does not read about other countries, does not listen to the news. It seems this could be entirely possible that he was hoping for this since he does not give his readers much credit throughout the work. What I feel Postman wanted to do was write about education policies–and that is what he should have done, for it seems his strength–and given concrete evidence as to how the U.S. education policies and structures are insufficiently preparing our youth. But, he does not do that.

Postman seems to really be giving a long and convoluted answer to why U.S. students fare so poorly when compared to other country’s youth. “We are testing them wrong!” Postman would seem to say. If one would like to critique in a thorough manner the way our youth are taught and then compared to children around the world, that would be an interesting essay indeed. Rather, Postman seems to be clinging entirely to an American exceptionalism that is mythic in scope: not only is the U.S. much more challenged than any other as a ‘technopoly’ but whose ‘story’ is a “moral light unto the world (173).” Postman provides not solid argumentation for why our youth are failing in the competitive global marketplace of ideas and knowledge, but rather provides the myth of technology as he sees it.

How did the U.S. become entrenched in this situation of ‘technopoly’? Postman gives the sense that it is a deviation from and a low esteem for tradition. Postman is nothing if not a traditionalist though throughout this book, he never states what traditions of which people groups he means. It appears from reading Postman that the U.S. has but one tradition, and may one assume that Postman means ‘white, anglo, European?” perhaps. He writes about his concern for traditions that may be lost (122) but never specifies any marginalized, colonized, or oppressed people groups that stand as examples of Technopoly’s, that is to say the U.S., destruction of cultures.  

Whatever tradition Postman is thinking of, he assumes that the majority of the U.S. television viewing audience doesn’t care for it. He writes that writers of television shows need not ”consult tradition, aesthetic standards, thematic plausibility, refinements of taste, or even plain comprehensibility (136)” because TV shows are only beholden to ratings. Is Postman saying that TV viewers don’t care about tradition, beauty, themes, taste, or comprehensibility? Yes. That is what he is saying.

I wonder how Postman felt about Murphy Brown having a child without being married. Gulp!  

Postman has an interesting view on history that only charts the bogeyman of technology–it is without nuance, or qualification and plainly misses events and trends of the past for the sake of fitting his paradigm.

He writes, “[t]he thrust of a century of scholarship had the effect of making us lose confidence in our belief systems and therefore in ourselves (55).”

If Postman is trying to say that the enlightenment demystification of the world knocked Western Christendom from its ‘center of the universe’ worldview, yes, that has been a theme of the past 600 years or so. Point fingers at Kepler, Copernicus, Galileo, Curie, Mendel, Darwin, et al. But you’ve got nine other fingers to point with if you’re looking for causes behind humanity’s ‘questioning itself’ of late: two world wars, nuclear threat, environmental degradation and climate change…

And hey! aren’t humanism and its supposed hubris also features of the last century?

Postman failed to pay attention in his high school rhetoric class when Ms. Atherton peered over her cat’s eyes classes and intoned: “beware the nebulus we.” Postman regularly writes about ‘we’ and ’they’ as though folks where blue shirts around town with a yellow “We” printed on the front in vinyl lettering. “Today, we believe in the authority of our science, no matter what (58).”

Really? That’s why the Republican party almost as a matter of policy denies human caused climate change? Or evolution? That’s why many Americans currently believe the Earth is 6,000 years old? Right.

Much of his ire about technology in America is how much ‘information’ is out there. He writes (quite crudely I must add), “Technopoly is a form of cultural AIDS, which I here use as an acronym for Anti-Information Deficiency Syndrome (63).” What a useful and tasteful acronym! Then, writing as though loaded with amphetamines and disregarding a moment’s pause of consideration he writes “[t]he fact is, the are very few political, social,, and especially personal problems that arise because of insuffient information (60).”

As someone who has a loved one going through cancer right now I’ll tell you: information is pretty good. Knowing where the cancer is, the best treatment, and how much of a pain in the ass Chemo is going to be is at least some consolation. Having a liver in death’s grip is made a bit better by fewer surprises. 

How about energy crises? Creating scenarios for economic and job growth? ’We’ get the sense that Postman begrudges expertise, professionalism, knowledge and mastery–partly because he spends nearly a whole book saying just that.

Postman writes as though from a great distance not only from technologies but from those who use them. From this distance he tries to imagine what computer-users think and sets up staw-men arguments about them. For example, he writes “writing lucid, economical, stylish prose…has nothing to do with wordprocessors. Although my students don’t believe it, it is actually possible to write well without a processor and, I should say, to write porrly with one (120).”
Whoever Postman’s students were, I think they would grimace at this belittling and obviously incorrect portrayal.

Most maddingly perhaps is that Postman writes as though he is living in a world without Feminist critiques of science and technology, notably Donna Haraway, and without Postmodernity at all. Whatever valid points Postman stumbles upon, have been made a hundred times before. Postman makes no reference to Feminist theories and major thinkers outside of Feminism who critique technology get little or no acknowledgment. Jaques Ellul appears only in the foreward and Martin Heidegger is not included at all though much of Postman could be said to be deriviative of Heidegger’s more nuanced work.

Kinsey, Freud, Milgram, and just about every scientist and social theorist have been well critiqued and raked over the coals. That is the nature of science as a process of peer review, competitive thinking and fact checking. Postman writes as though this process does not occur, but if it did, it would be a bad thing because reliance on reason and fact is dangerously idolizing technology. Hmmm.

Since the U.S. as a Technopoly is a farce, it makes sense that Postman’s weak solutions are also bereft of sense and power. He hopes that his readers will become “loving resistance fighters (182)” which turns out being described as meaningless and sad.
He writes, “By ‘loving’, I mean that, in spite of the confusion, errors, and stupidities you see around you, you must always keep close to your heart the narratives and symbols that once made the United States the hope of the world…(182).”
Loving means ‘remaining nationalistic’? Is a drooling sofa jockey who believes in U.S. Exceptionalism and the banner of ‘peace via militarism’ loving?

The resistance fighter is then described as basically anyone who ‘thinks critically’ and ‘takes religion and tradition seriously’. His banal and milquetoast expectations of a ‘resistance fighter’ reveal the little respect he has for people and the low bar he sets for them. 

Perhaps Postman was not only Technophobic but a misanthrope also. 

The bottom line is that Technopoly  is a wasted effort and a mishmash of ill-reasoned ranting.

Neil Postman. Technopoly (New York: Vintage Books. 1993)

http://www.scottlondon.com/reviews/postman.html
http://www.ucs.mun.ca/~emurphy/stemnet/technop.html

Thank God. Finally someone had the courage to say what we’d all been thinking.
Sarah Palin absolutely nailed the First Lady for trying to step into our families’ busniess by telling us what we should and should not be doing.

Sarah Palin knows that we all have our God Given Rights and Freedom!
Freedom is free, but it ISN’T CHEAP!..Just like God’s grace. Yes, Jesus loves you for being who you are but who you are had better be hetero.

Sarah Palin is a political genius and could win just about any middle school’s popularity contest. She is a wunderkind compared to kids!

In a recent radio interview, Palin just NAILED First Lady Nancy Reagan’s Big Government bullying us around. Criticizing her anti-drug campaign Palin said:
What she is telling us is she cannot trust parents to make decisions for their own children, for their own families in what we should smoke and inject…instead of a government thinking that they need to take over and make decisions for us…just leave us alone, get off our back, and allow us as individuals to exercise our own God-given rights to make our own decisions and then our country gets back on the right track.”

Palin also SLAMMED Hillary Clinton’s campaigns for women’s rights saying:
What she is telling China and other oppressive countries is she cannot trust parents to make decisions for their own daughters, for their own families in what sweat shops they should be sent to…instead of a government thinking that they need to take over and make decisions for us…just leave women alone, get off our back, and allow us as individuals to exercise our own God-given rights to make our own decisions and then our country and countries that want to stone adulterers get back on the right track.”

Palin DESTOYED Barbara Bush’s literacy campaign by burning a copy of “Tom Sawyer”.

Palin did however praise Laura Bush’s support of the National Anthem Project because “America is exceptional. Its like…American exceptionalism. Refudiate. Twitter. America.”

Alongside keepin’ it real and politickin’ like whoa, Palin is currently filming a new TV series with Animal Planet tenatively titled “Spoor Love”.

This is a short response to Newitz’ article on io9.com titled “Why the Singularity Isn’t Going To Happen”.

Firstly, Newitz seems to make contradictory statements about the Singularity and seems to not be familiar with what thinking people say about ‘the Singluarity’. Her title contradicts her essay. She seems to state the basic features of the life changing tech associated with singularity theories will happen.
So what won’t happen, says Newitz, is a perfect world. A “La la Land” where dumb people sit around and eat potato chips. The problem is, no thinking person who thinks or talks about Singularity event(s) paints a Utopian picture. She has set up a strange straw man argument here.
She says she spoke to a person who was hyped up about some divinely beautiful potato chip experience. Did that person then go on to say there would be no problems in the world? Or did Newitz just imagine this must follow logically from a good potato chip? I see the connection: yummy potato chip=perfect world. Maybe if she would have followed up with some questions for this person she would find that they believed there could yet be racism, inequalities, child soldiers, exploitative corporations…and yes, yummy potato chips at the same time.

Secondly, no one I know of who is thoughtful believes everything will be made perfect by genetics, robotics, information tech, and nanotechnologies (GRIN). Kurzweil and many others note well the threats made by each of these types of developments. Kurzweil notes at length the threats to new types of violence and war.

Thirdly, sadly, Newitz misses a chance to talk about current situations that must be addressed in the present should we hope to effect a brighter future of nonviolence and justice. We all need to talk about racism, bigotry, heteronormativity, failing knowledge economies, personal liberties, digital divides, and all types of injustice if we are to have a future we would want for our next generations.

Thoughtful people know that tech is a double-edged sword and Jaron Lanier and many others speak quite well about the tangled paths and multiple futures that lay as possibilities before us. We know that tech does not absolve us from moral action. A great book to check out if one likes Newitz’ article might be Edward Tenner’s “Why Things Bite Back”, written in 1997. Many of us have also talked about Singularities–just as there were really many Reformations in the Great Reformation, we can reasonably expect life of Earth to make many sharp turns. There are better conversations out there than Newitz lets on.

On one thing we all can agree: we are morally responsible for how we spend our time, how we act towards ending current injustices, and stripped of all our newest technologies what matters is informed, allied, and sustained justice work.

Newitz’ essay:
http://io9.com/5661534/why-the-singularity-isnt-going-to-happen

CHICAGO–In an interview with Oprah, JK Rowling made a threat to the world’s literate: “I could write another Harry Potter book.”

Readers the world over were shocked and worried at the reclusive pulp novelist’s threat. Teenagers and the weak minded masses who slogged through her first several attempts at writing a Harry Potter book were reeling with the news.

“I couldn’t sleep last night. I just tossed and turned thinking about having to work through six hundred pages of wooden and rambling non-events.” Said Maria Esquivel, a thirteen year old from Peru.

In spite of a world of literate fearful, Rowling’s American publisher Scholastic Press expressed great excitement. Scholastic Press released a statement yesterday which stated: “While it is true Harry Potter excitement has dwindled to a groaning ‘meh’, the feelings of obligation around Harry Potter are still quite high. We excitedly await Ms. Rowling’s newest tome of drudgery and restatement!”

Millions who would otherwise be filling their bus riding time reading “People” magazine or doing “E-Z Crossword Adventure! Farm Edition” now face the chance that they will have to relive the droll horrors of the Harry Potter universe.

Asked about Rowlings threat, Ravi Gopal Venkata a 19 year old from India, said “I hate the characters, and the stupid world they live in, but I would have to read it. I hate every stupid thing about the tedium of Harry Potter but I would have to read it and have to write fan fiction about it.”

JK Rowling stated to Oprah that she plans on taking “a writing class at a community college” to brush up on her writing chops.

“When I write dialogue I want it to sound like the best infomercial you’ve ever heard.” She said.

SPOILER ALERT!!!
Here are some of the highlights that Rowling is said to have in store for the next book–leaked from a Rowling insider!

1. Dobby groveling
2. Explore more of the Gryffendor’s common room (the furniture is spooky!)
3. Three hundred pages of Quidditch
4. Moping
5. Fourteen scenes that will be exactly the same. Word for word.

This is a message from Dan Savage and his partner Terry.
They want to share that even though you or someone you love may be bullied for being lesbian, bi, gay, trans, genderqueer, or questioning…life can still be full of amazing possibilities.

Recent studies have shown that LGBTQ youth can have more than three times the risk of suicide than other peers.
Bullying, homophobia, heteronormativity, and internalized homophobia can play a part in this higher risk.

It is time for all people of good conscience to speak up against bullying in our schools and campuses.

To those young people who may be experiencing bullying because of their gender or sexual identities:
there is hope, there is help, and you are loved.

GLBT Youth Crisis Line:
816-923-7000

GLBT National Hotline
1-888-843-4564

GLBT National Youth Talkline
1-800-246-7743

I believe that it will be artists who will be on the leading edge on liberating you, your family, and friends from the categories that now constrain bodies.

What categories? Gender, size, sex, proportion, ‘wholeness’, ability…to name a few.

These often rigid categories give cause to a number of social ills–
Including but not limited to: transphobia, sexism, misogyny, heterosexism, anorexia, masculine stereotypes of being violent and emotionally aloof, homophobia, size discrimination…

The way we judge people by the shape of their skin is instable and
like other shaky but violently defended institutions, sex, gender and other body ‘norms’ will prove vulnerable to the artists of today and tomorrow.

The way we have ‘been doing gender’, thinking of abilities and ’wholeness’ in America will be changing radically soon and it will be artists who open doors to new possibilities and a more just and safer culture.

I snapped the photo above while walking along Santa Barbara, California’s waterfront.
Its a great example of public art re-enforcing an idealized body. Like DiVinci’s Vitruvian Man, many murals, the art deco movement, oil painting traditions, and pop marketing, the picture above hands over an image of a heavily coded body–where proportion, gender, and ‘wholeness’ are unified in a standardization of ‘human body’.

But daily lived experiences for many reveal a world of more than standardized bodies. In fact, there is a consistent historical trend of folks pushing their bodies to be lived expressions of individuality–an art.

There are now artists who are pushing boundaries of how we think of bodies’ size, shape, ‘essence’, and gender. One of my favorites is Stelarc.

Stelarc states in an interview with Paolo Atzori and Kirk Woolford,
“Well of course one shouldn’t consider the body or the human species as possessing a kind of absolute nature…What it means to be human is being constantly redefined.”

Stelarc is perhaps most famous for hanging naked over cities by piercings in his back or the human ear he has grafted unto his arm, and has over decades declared the body a flexible platform for expression and redesigning.

As bio and nano technologies are improved more artists will be undertaking body art that will shatter conceptions of what human bodies are. Its exciting for me to see the work of the Church of Body Modification which couples spirituality and expressions of bodies’ liberation and the continued success of trans artists like Athens Boys Choir.

My favorite definition of art right now is ‘that which illuminates life’. What what is more in need of illuminating than the very bodies we live in and love with?

Stelarc. “Extended-Body: An Interview with Stelarc” Digital Delirium ed. Arthur and Marilouise Kroker
(New York: St. Martin’s Press. 1997)

Church of Body Modification
http://uscobm.com/

« Previous PageNext Page »

Follow

Get every new post delivered to your Inbox.